reimagining personal stories
Proshot Kalami, an artist practitioner and scholar, an Associate Professor in Performance Studies and Media Studies and has held multiple international fellowships and won multiple awards for her plays and installations. She is a playwright, theatre director, dramaturg, documentary filmmaker, radio drama director and voice actor. She is a published poet and a visual artist whose works have been translated in different languages. Her installations and plays have been staged and toured in the UK, Italy, Germany, France, Morocco and various cities in the US. Her scholarly publications are in the field of Film Studies and Performance Studies with special focus on the interaction of the body and technology in works of the artists from the Global South cultures. She publishes in English and Farsi and additionally speaks French and German. She has basic knowledge of Bengali and reading knowledge of Arabic.
Feel Me 6 Feet Apart
Feel Me 6 Feet Apart, an art-placemaking interactive multimedia installation based on experiences and personal stories of the First Responders, Mary L. Fifield Art Gallery, Pao Art Centre & Bunker Hill Community College campus, 1 October 2021 - 25 May 2022
The Invisible
A multimedia durational art-placemaking installation sponsored by Pat Art Centre, Boston Chinatown Neighbourhood and Mary L. (Director-Designer) National Endowment for the Arts (NEA): The National Consortium for Creative Placemaking Award, “The Invisible, a multimedia installation” & “Creative Placemaking Leadership Summits Northeastern Corridor”
Memories in Pieces
The Two of Us
Episode 1
The Two of Us, a trilogy: Episode 1, (playwright, dramaturg, director, actor), a Radio Drama production with international cast and crew from Australia and Iran.
Sponsored by Iraq and Afghanistan Veterans, and Mary L. Fifield Art Gallery. Imagining America, 20th National Gathering, Albuquerque, NM 2019
The Two of Us
Episode 2
The Two of Us, a trilogy: Episode 2, (playwright, dramaturg, director, & voice actor), a Radio Drama production with international cast and crew from Australia and Iran, sponsored by Iraq and Afghanistan Veterans, and Mary L. Fifield Art Gallery.
I Tell You My Story, You Tell Me Yours
I Tell You My Story, You Tell Me Yours: a collaborative co-created Radio Drama production with international cast and crew from Loughborough University and Stanford University.
Persians
Persians by Kaite O’Reilly, Ted Hughes Award winner for New Works in Poetry (director and dramaturg), a Radio Drama
All Their Names
Stage Production: an Audience Participatory Staged performance, Imagining America National Gathering, Tulane University, New Orleans, LA 14-16 October
Radio Drama production: a collaboration with Stanford University, Selected by French Cultural Centre for the Inauguration Ceremony of the New French Cultural President, May
A String Only She Could Play
A Poem to Marina Abramovitz #1,"
Art as Therapy, (Translation to Farsi), Edited: de Botton, Alain, John Armstrong,
Nashr Hanouz, Tehran, Iran
2016
“No One Know About Persian Cinema, a Review of No One Knows about Persian Cats,” Directory of Iranian Cinema, Vol. 2, edited by Parviz Jahed, Intellect Books, London, March (pp. 345-352)
“Dramaturgy of Persian Plays in the West: The Problematic of History, Religion and Cross-Cultural Performance”, Alternative Dramaturgies of the New Millennium in Arabo-Islamic Contexts and Beyond, Collaborative Media International, Amherst, Denver, Tangier, April (pp. 121-135)
“‘Persian Hippolyte’: Interweaving performance cultures, interweaving identity, and hybrid technology”, for Research Centre for Interweaving Performance Cultures, Freie Universität Berlin, Performance Research Journal RPRS, Taylor & Francis/Routledge, May
“Love on the Iranian Screen”, Iran Namag, Special Issue on Abbas Kiarostami, University of Toronto, Canada, Winter 2018 (Volume 2, Number 4, pp. 58-74)
“Fear and Trembling: The Persian Screen at the Crossroad of Faith”, Cinemascope, Independent Film Journal: Landscape of Revolt, Year IX, Issue 19, July-December
“Queer, Persian and Diasporic: Engaging with the Gay Art of Siros Arya”, The International Journal of the Humanities, Common Ground Publishing, May
“A Report on the British Premier of Death of Yazdgerd: A Cross-cultural Adaptation?” Iranian Studies, Routledge, August (Volume 45, Number 4, pp. 791-810)
“No One Knows About Persian Cinema: B. Ghobadi’s Songscape of Revolt”, Cinemascope, Independent Film Journal: Landscape of Revolt, Year VII, Issue 16, July-December
“Thou Shalt Forget Not Thy Past: Interrogating (Euro-)Polish Identity in Decalogue VIII,” Cinemascope: Hundred of Ways to See a Film—The Intersubjectivity of Film Appreciation, The Decalogue by Krzysztof Kieslowski, (Volume 4, Issue 11)
Daftar e Doori, (Poetry) Nashr Khat Sevom, Tehran, Iran
2001
La`l Badakhsh, (Poetry) Nashr Ghatreh, Tehran, Iran
2004
Entry, as one of the influential Iranian female pets of 20-21st century
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